MUSCO: Fostering a Unified Music Scene
On Monday, February 3rd 2025, the Musicians Collective of McGill hosted their second Open Mic Night at Bar Milton-Parc. With…
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Phone Rings, Door Chimes, In Comes McGill’s Arts Undergraduate Theatre Society’s Company!
Stephen Sondheim’s Company first premiered in 1970 and has been captivating audiences across the world ever since, and Director Anna…
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Live And In Person: Finding Community Through Montreal Techno
It’s a Wednesday at Redroom and the music still shocks me. It’s just that awesome. I can’t help but think…
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Unruly Puppets and Grieving Churchgoers: A Review of ‘Hand to God’
Hand to God redefines the classic notion of a puppet show with a darkly comedic twist. This unique comedy with…
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Christmas in Montreal: Where to Go and What to See
Christmas: the most magical time of the year, filled with toy-obsessed children, decorations covering every storefront, and a warm feeling…
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Disenchanted: How Anora Loses Anora
Sean Baker’s 2024 Palme d’Or-winner, Anora, is as hollow and reductive as it is raw and radiant, setting its standard…
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Untangling the Knots of Reproductive Tragedy: A Review of ‘Yerma’ and an Interview with Director Ruby Isaacs
HER: “It never hurt you like it hurt me” — Yerma, Simon Stone Two halves of a millennial couple, a…
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What is Happening to the Pop Industry?
Many pop artists struggle with their mental health after they’ve already made a dent in the music industry, but why…
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The “Symphony of Horror” Misses a Beat: A Review of Nosferatu X Radiohead at Cinema du Parc
Even when it was ‘silent,’ cinema has never been quiet. From its earliest years, screenings were accompanied by the live…
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Style Over Substance: How the Horror Hit of the Year Butchers its Own Message
Demi Moore plays her own worst enemy in the recent body horror flick that aptly has audiences squirming beneath their…
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