Vulnerability and Versatility: Arlo Parks’ My Soft Machine Tour
British award-winning artist Arlo Parks recently performed in Montreal at the Beanfield Theatre as part of the North American leg…
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Sustainable Maximalist Fashion: An Interview with Sara Camposarcone
Sara Camposarcone is a Canadian stylist, writer, and fashion influencer based out of Toronto. With her work featured in Vogue,…
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You Know You Love Them…But Should You? The Romanticization of Toxic Relationships in Teen Dramas
Buried in the back of my closet lies a t-shirt that my friend and I each purchased as a memento…
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‘Femme’: The Best Movie of 2023 Gets Everything Right
One of the many beauties of Femme is its radical unpretentiousness. Part of this unassuming nature is the film’s context:…
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Barbie to Bottoms: What do we need from women’s media today?
The summer of Barbie had everyone convinced that we were entering a new era of cinema: it was time to…
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Highlights of Cinemania 2023: Fathers, Mothers, And Vampires
En Attendant La Nuit (For The Night Will Come) En Attendant La Nuit follows a family moving into a suffocatingly…
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Hozier’s ‘Unreal/Unearth’ is a Magnum Opus of Intellectual Pop
Hozier’s third studio album, Unreal/Unearth, is a magnificent manifestation of Hozier’s growth and the signature brand that the Irish singer-songwriter…
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A Review of the Players’ Theatre’s Fall Production, “The Road to Hell”
On November 15th, I had the immense privilege of stopping by at the Players’ Theatre to see “The Road to…
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Evil Dead Dies: A Look at a Complicated Franchise
Last month, Cinema Du Parc ran a screening of Evil Dead II (1987) as part of their Halloween-themed Minuit au…
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The Rapid Rise and Fall of the Modern “It Girl”: From Marie Antoinette to Sharpay Evans
Sharpay Evans was my very first “it girl.” As a six-year-old child, I didn’t care about her sabotaging antics; she…
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