The Brandy Band That Doesn’t Exist
Upon moving to Montreal at the start of my first year at McGill, I was thrilled to find out that…
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Montreal’s English Film Industry is Shrinking – What Does this Mean for McGill’s Emerging Filmmakers?
Despite Montreal being internationally recognized as an artistic and culturally rich city, many English-language filmmakers feel limited in their opportunities….
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From Subscribers to Owners: Understanding the Revived Desire For the Physical Ownership of Goods From A Sociological Perspective
In this digital age, where information is instantaneous, the rise of analog culture might seem regressive. However, an important sociological…
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And Bridgerton Strikes Again: What Hyacinth’s Recital Dance Reveals About Our (Troubled) Love of Historical Inaccuracy
Girls circling each other on their toes, pets on their back paws trying to keep up with the beat, and…
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Finding “Home” in McGill’s Growing Greek Life
This past Sunday was Bid Day, marking the end of sorority recruitment week for 2026. 298 women signed up for…
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À la prochaine fois: Gen Z and the New Face of Quebec Independence
With the upcoming provincial elections, one question resurfaces at the core of debates: do Quebecers want their province to become…
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The One-Act Play That Goes Wrong: A Review in Two Parts
I. Last Friday at Players Theatre, I sat through what turned out to be the most disastrous theater production I…
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Where is the PLUR? Inside a Sold-Out Night at Igloofest
As a first-year student at McGill, I was excited to dip my toe into rave culture by attending Igloofest for…
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Charli XCX’s “The Moment”: Outgrowing Your Own Art
The Moment, a mockumentary directed by Aidan Zamiri, follows pop star Charli XCX struggling to navigate the personal and creative…
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“Natasha, Pierre, and the Great Comet of 1812”: A Review
When my friends and I exited the tightly-packed metro car at Beaubien station one evening in late January, it…
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