Five Masterful Films at the Festival Du Nouveau Cinéma
Bong Joon Ho’s new thriller Parasite is a towering work; at once Bong’s most daring filmmaking and his tightest. If…
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“That’s Too Much, Man!”: BoJack Horseman, Sarah Lynn, and University Students
This article contains spoilers for BoJack Horseman seasons 1-4. As Netflix’s smash hit BoJack Horseman comes to a close with…
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How Lilly Singh is Breaking Down the Barriers of Late Night Television
Six months ago, if you were to turn your TV to NBC at 10:30 p.m., you would’ve seen The Tonight…
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Like An Open Book: Reading Recs For (Almost) Every Major
Apparently, the average McGill student has no interest in reading for pleasure — just ask my friends how many times…
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The Gang Gets Snubbed: The Tragedy of ‘Always Sunny’ and The Emmys
In what many consider to be the golden age of television, few comedies shine as bright as It’s Always Sunny…
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The Supernatural is Just Across Sherbrooke
Legends and mysteries, monsters and creators, triumphs and traumas – all of these are on display across campus, at the…
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Calling All Photographers
The Bull & Bear is looking for photographers to join its media team for Fall semester! Being a photographer for our…
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Fantasia Finale: The Good, The Bad, and the Weird
Joe Begos’ 80-minute psychedelic stunner Bliss isn’t the best Fantasia film I’ve seen, but it may be the most Fantasia….
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With “Sing to Me Instead,” Ben Platt Hums Heartbreak and Jewish Identity
A part of me has always known Ben Platt. Hear me out. We have never met, but on some cosmic…
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Melodrama, Melting Clown Makeup, and “The Myth of the Mean Girl” – In Conversation with Jennifer Reeder
Jennifer Reeder’s revelatory new film Knives and Skin is the best film I saw at Fantasia Film Fest: a sumptuously…
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