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The Bull & Bear - McGill's student-run news magazine McGill's student-run news magazine
  • News
    • George Yancy Discusses “The Spectacular and Subtle Violence of Whiteness” in a Recent Talk Hosted by McGill’s Department of Philosophy
      George Yancy Discusses “The Spectacular and Subtle Violence of Whiteness” in a Recent Talk Hosted by McGill’s Department of Philosophy
    • A Recap of the 2023 MSBN x BSN x JED Being Black in Consulting Event
      A Recap of the 2023 MSBN x BSN x JED Being Black in Consulting Event
    • Get to Know McGill’s Beloved Hot Dog Stand
      Get to Know McGill’s Beloved Hot Dog Stand
  • Arts & Culture
    • A whole load of Goop: Dismantling Celebrity “Wellness” Culture
      A whole load of Goop: Dismantling Celebrity “Wellness” Culture
    • The Music Video as an Expressive Medium: as Exemplified by The Strokes and Fall Out Boy
      The Music Video as an Expressive Medium: as Exemplified by The Strokes and Fall Out Boy
    • A Book Lover’s Guide to a Successful Book-to-Film Adaptation
      A Book Lover’s Guide to a Successful Book-to-Film Adaptation
  • Opinion
    • True Crime is Chronically Online 
      True Crime is Chronically Online 
    • A whole load of Goop: Dismantling Celebrity “Wellness” Culture
      A whole load of Goop: Dismantling Celebrity “Wellness” Culture
    • To Our Younger Selves
      To Our Younger Selves
  • Business & Economy
    • A Recap of the 2023 MSBN x BSN x JED Being Black in Consulting Event
      A Recap of the 2023 MSBN x BSN x JED Being Black in Consulting Event
    • Todd Boehly’s Plan for Chelsea
      Todd Boehly’s Plan for Chelsea
    • Dare to Venture: Fostering the Entrepreneurial Spirit at McGill
      Dare to Venture: Fostering the Entrepreneurial Spirit at McGill
  • Sports
    • No image
      A Hollywood Ending in Wrexham
    • No image
      Promise Versus Pattern: The Untold Potential of Victor Wembanyama
    • No image
      The Pressure is on in the West
  • Media

Jacob Klemmer

Arts, Arts & Culture

‘Contagion’ in the Age of Corona

By Jenna Benchetrit and Jacob Klemmer

It’s been ten years since I watched Contagion, yet even after all this time, there is one edit I remember…

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Arts, Arts & Culture

War is Hell… So is Sitting Through ‘1917’

By Jacob Klemmer

1917 exists, first and foremost, to give itself a medal of honour: a war film made to look like two…

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Arts & Culture, Culture, Interviews, Local

Going Deep Inside Cinema L’Amour

By Jenna Benchetrit and Jacob Klemmer

Content Warning: Everything you’d assume was in an article about Cinema L’Amour (sex, pornography, and general profanity).  There are three…

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Arts, Arts & Culture

Give The Irishman the Time it Deserves

By Jacob Klemmer

“I never waited for anyone who was late more than ten minutes in my life,” says Jimmy Hoffa to his…

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Arts, Arts & Culture, Events

Five Masterful Films at the Festival Du Nouveau Cinéma

By Jacob Klemmer

Bong Joon Ho’s new thriller Parasite is a towering work; at once Bong’s most daring filmmaking and his tightest. If…

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Arts, Arts & Culture, Culture

Fantasia Finale: The Good, The Bad, and the Weird

By Jacob Klemmer

Joe Begos’ 80-minute psychedelic stunner Bliss isn’t the best Fantasia film I’ve seen, but it may be the most Fantasia….

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Arts, Arts & Culture, Culture

Melodrama, Melting Clown Makeup, and “The Myth of the Mean Girl” – In Conversation with Jennifer Reeder

By Jacob Klemmer

Jennifer Reeder’s revelatory new film Knives and Skin is the best film I saw at Fantasia Film Fest: a sumptuously…

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Arts, Arts & Culture

Week 2 At Fantasia – Style Over Style

By Jacob Klemmer

Can a film subsist on style alone? That’s the question I found myself returning to during my second week at…

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Arts, Arts & Culture

The First Weekend at Fantasia: Phantoms and Paradise

By Jacob Klemmer

In preparation for this year’s Fantasia Film Festival, I looked over my coverage from last year and was utterly shocked…

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Arts, Arts & Culture

Sitting on a David Lynch Sofa – Consciousness and Creativity with Lynch and Bob Roth

By Jacob Klemmer

On a long car ride, experimental filmmaker David Lynch likes to play a variation of the license plate game. The…

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