Week 2 at Fantasia: Disappointments, Surprises, and Milk
The second installment of Jacob Klemmer’s trilogy, reporting everything you need to know about Montreal’s Fantasia Film Festival. Read the…
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Why You Should Give the Leftovers a Chance
When seeing HBO’s big bold letters and the accompanying sizzling sound, most people think about Game of Thrones or The…
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Mubi: The Anti-Netflix
The Best Free Film Streaming Service You’ve Never Heard Of Mubi is a website that will change the way you…
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Second Helpings in a Streaming Age
One of the first lessons we learn about the internet is that anything posted lasts forever. On the internet, everything…
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Can Award Shows Be Saved?
Prepare your social media newsfeeds to be overrun with reactions to the 2018 Oscar Nominations. Awards shows were created…
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Three Billboards Outside Ebbing, Missouri: 3/10 Billboards
CW: Police brutality, strong language, references of sexual assault, spoilers Three Billboards Outside Ebbing, Missouri is a the perfect film…
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A Disaster Artist, But an Artist Nonetheless
I never understood the cult following of Tommy Wiseau’s The Room. It is “the Citizen Kane of bad movies,” from…
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Call Me by Your Name (5/5) is the Best Film of the Year
Almost no joy is greater for a film fan than seeing an artist do the great work you always believed…
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From Atoms to Bits (And Back Again)
Nostalgia has and always will be a weird thing to analyze. Why is it that we cling to certain objects…
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Algorithms and the Curation of Taste
The curation of taste is not new in arts and culture. Taste, almost by definition, extends past the individual and…
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