The Importance of Comfort Shows
In today’s global digital economy, people have access to hundreds of thousands of shows, movies, and songs at their fingertips….
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Pasifika Representation in Cinema: Beyond “Moana”
Two days after watching Moana 2, my “For You Page” on TikTok was flooded with critiques. Phrases like “not worth…
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“Nosferatu” (2024): The Horror of Female Sexuality
Robert Eggers’ Nosferatu is a haunting journey into the depths of gothic horror, where ancient myths and modern themes collide…
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Bob Dylan is Larger than Life in “A Complete Unknown”
Who is Bob Dylan? Not who you want him to be. This is the message of A Complete Unknown, the…
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Disenchanted: How Anora Loses Anora
Sean Baker’s 2024 Palme d’Or-winner, Anora, is as hollow and reductive as it is raw and radiant, setting its standard…
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The “Symphony of Horror” Misses a Beat: A Review of Nosferatu X Radiohead at Cinema du Parc
Even when it was ‘silent,’ cinema has never been quiet. From its earliest years, screenings were accompanied by the live…
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From Fraud to Fame: How Anna Delvey Danced Her Way Back into the Spotlight
On September 17th, 4.97 million viewers tuned in to watch Dancing With The Stars (DWTS) kick-start its 33rd season. This…
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You Know You Love Them…But Should You? The Romanticization of Toxic Relationships in Teen Dramas
Buried in the back of my closet lies a t-shirt that my friend and I each purchased as a memento…
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‘Femme’: The Best Movie of 2023 Gets Everything Right
One of the many beauties of Femme is its radical unpretentiousness. Part of this unassuming nature is the film’s context:…
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Barbie to Bottoms: What do we need from women’s media today?
The summer of Barbie had everyone convinced that we were entering a new era of cinema: it was time to…
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