“You People Are All the Same:” A Review of ‘White Lion, Brown Tiger’
Under blue fluorescent lights, two men slowly circle one another, crouched like animals ready to pounce. Their arena is the…
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Blizzards, Banter, and Betrayal: An Interview with the Writer-Directors of “Sphinx”
When Gus wakes up to find a stranger in his bed, he screams—then folds the clothes on the floor. Meticulous…
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Phone Rings, Door Chimes, In Comes McGill’s Arts Undergraduate Theatre Society’s Company!
Stephen Sondheim’s Company first premiered in 1970 and has been captivating audiences across the world ever since, and Director Anna…
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Unruly Puppets and Grieving Churchgoers: A Review of ‘Hand to God’
Hand to God redefines the classic notion of a puppet show with a darkly comedic twist. This unique comedy with…
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Untangling the Knots of Reproductive Tragedy: A Review of ‘Yerma’ and an Interview with Director Ruby Isaacs
HER: “It never hurt you like it hurt me” — Yerma, Simon Stone Two halves of a millennial couple, a…
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A Review of the Players’ Theatre’s Fall Production, “The Road to Hell”
On November 15th, I had the immense privilege of stopping by at the Players’ Theatre to see “The Road to…
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A Review of McGill Drama and Theatre Department’s Latest Production: Good Morning, Townville!
Although the rain was pouring down last Friday evening, the atmosphere inside Moyse Hall was buzzing with excitement and anticipation….
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AUTS’ Hair! is a Vibrant Throwback to the Sixties
Moyse Hall was bustling with people and laughter as I entered the theatre for the Arts Undergraduate Theatre Society’s production…
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The Player’s Theatre’s What The Butler Saw is scandalous, perverted, and wickedly hilarious
The Bull & Bear’s Arismita Ghosh reviews a recent student production of What The Butler Saw presented by the Player’s Theatre I…
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