The Importance of Comfort Shows
In today’s global digital economy, people have access to hundreds of thousands of shows, movies, and songs at their fingertips….
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Pasifika Representation in Cinema: Beyond “Moana”
Two days after watching Moana 2, my “For You Page” on TikTok was flooded with critiques. Phrases like “not worth…
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Dancing in the Moonlight: A Guide To Montreal’s Nuit Blanche
For over 20 years, Nuit Blanche has given Montrealers an opportunity to immerse themselves in local arts and culture, with…
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Spring Break in Montreal: A Cultural Lover’s Guide
Spring in Montreal—when the snow melts, the days get longer, and the city slowly comes back to life. Whether you’re…
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Beyonce’s “Cowboy Carter”: Can You Hear Her?
Cowboy Carter was nothing short of a revelation. Yet, Beyonce’s long overdue Grammy Album of the Year award was met…
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Ethel Cain’s “Perverts” and the Sanctity of the Profane
Ethel Cain does not return so much as she resurrects. In her sophomore album Perverts, Cain presents a reckoning—a blood-warm,…
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“Nosferatu” (2024): The Horror of Female Sexuality
Robert Eggers’ Nosferatu is a haunting journey into the depths of gothic horror, where ancient myths and modern themes collide…
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Bob Dylan is Larger than Life in “A Complete Unknown”
Who is Bob Dylan? Not who you want him to be. This is the message of A Complete Unknown, the…
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MUSCO: Fostering a Unified Music Scene
On Monday, February 3rd 2025, the Musicians Collective of McGill hosted their second Open Mic Night at Bar Milton-Parc. With…
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Phone Rings, Door Chimes, In Comes McGill’s Arts Undergraduate Theatre Society’s Company!
Stephen Sondheim’s Company first premiered in 1970 and has been captivating audiences across the world ever since, and Director Anna…
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