Where is the PLUR? Inside a Sold-Out Night at Igloofest
As a first-year student at McGill, I was excited to dip my toe into rave culture by attending Igloofest for…
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Charli XCX’s “The Moment”: Outgrowing Your Own Art
The Moment, a mockumentary directed by Aidan Zamiri, follows pop star Charli XCX struggling to navigate the personal and creative…
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“Natasha, Pierre, and the Great Comet of 1812”: A Review
When my friends and I exited the tightly-packed metro car at Beaubien station one evening in late January, it…
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On Keeping a Journal, Intimately
Last week, I decided to write an article about journaling. What is the McGill Journaling Experience? was my big question….
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Finding My Way by Malala Yousafzai – A Review
More than ten years after Pakistani education activist and Nobel Peace Prize Laureate Malala Yousafzai published her first book, I…
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The Birth of Honeytrap: an interview with director Ruby Isaacs and star Elise Holbrook
SL: You two are long-time collaborators. Can you tell me about how your creative relationship started and developed? RI: In…
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(Un)Popular Culture: What we have Lost from the Lack of Monoculture in Media
‘Pop culture’ isn’t popular anymore. At least, not in the way that it once was. Today, the massive surge in…
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Laughing Until It Hurts: The Implications of McGill’s ‘Spotted’ Accounts
It was the end of the night, I said goodbye to my friends, left their dorm and headed down the…
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CINEMANIA: A Review of ‘Queen Mom’ and ‘Love Me Tender’
Each year, Montréal’s largest French-language film festival, CINEMANIA, showcases a diverse range of films from the French-speaking world, including familiar…
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“You People Are All the Same:” A Review of ‘White Lion, Brown Tiger’
Under blue fluorescent lights, two men slowly circle one another, crouched like animals ready to pounce. Their arena is the…
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