And Bridgerton Strikes Again: What Hyacinth’s Recital Dance Reveals About Our (Troubled) Love of Historical Inaccuracy
Girls circling each other on their toes, pets on their back paws trying to keep up with the beat, and…
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Finding “Home” in McGill’s Growing Greek Life
This past Sunday was Bid Day, marking the end of sorority recruitment week for 2026. 298 women signed up for…
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À la prochaine fois: Gen Z and the New Face of Quebec Independence
With the upcoming provincial elections, one question resurfaces at the core of debates: do Quebecers want their province to become…
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The One-Act Play That Goes Wrong: A Review in Two Parts
I. Last Friday at Players Theatre, I sat through what turned out to be the most disastrous theater production I…
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Where is the PLUR? Inside a Sold-Out Night at Igloofest
As a first-year student at McGill, I was excited to dip my toe into rave culture by attending Igloofest for…
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Charli XCX’s “The Moment”: Outgrowing Your Own Art
The Moment, a mockumentary directed by Aidan Zamiri, follows pop star Charli XCX struggling to navigate the personal and creative…
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“Natasha, Pierre, and the Great Comet of 1812”: A Review
When my friends and I exited the tightly-packed metro car at Beaubien station one evening in late January, it…
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On Keeping a Journal, Intimately
Last week, I decided to write an article about journaling. What is the McGill Journaling Experience? was my big question….
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Finding My Way by Malala Yousafzai – A Review
More than ten years after Pakistani education activist and Nobel Peace Prize Laureate Malala Yousafzai published her first book, I…
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The Birth of Honeytrap: an interview with director Ruby Isaacs and star Elise Holbrook
SL: You two are long-time collaborators. Can you tell me about how your creative relationship started and developed? RI: In…
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