Top Ten Underrated Movies from 2017
(That Will Make You Look Cool if You’ve Seen and Can Watch Right Now) List Season is dominated by familiar…
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Three Billboards Outside Ebbing, Missouri: 3/10 Billboards
CW: Police brutality, strong language, references of sexual assault, spoilers Three Billboards Outside Ebbing, Missouri is a the perfect film…
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A Disaster Artist, But an Artist Nonetheless
I never understood the cult following of Tommy Wiseau’s The Room. It is “the Citizen Kane of bad movies,” from…
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From Atoms to Bits (And Back Again)
Nostalgia has and always will be a weird thing to analyze. Why is it that we cling to certain objects…
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The Artists are Creators
Coverage of The Sommet du Cinéma D’animation 2017 The Sommet du Cinéma D’animation, held at the Cinémathèque Québécoise last week,…
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The Killing of a Sacred Deer (4/5) Finds the Horror Underneath the Household
Let’s take time to give credit where credit is due, Yorgos Lanthimos has more guts than any other filmmaker at…
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Celebration and Overcoming Censorship at the SAFFM
Typically the South Asian films that cross over into the west represent a specific form: the Bollywood musical. But South…
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Festival du Nouveau Cinema: The Top Five Films to Watch Out For
The Festival du Nouveau Cinéma ran from October 5th to 15th, and during which films ranging from big-name blockbusters to…
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The Familiar but Distinctly Fresh Vision of Blade Runner 2049
There’s always a fair amount of danger in writing a sequel or making a remake of a beloved cult film…
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mother! (2/5) Goes Big and Goes Home
Spoilers follow. Trigger warning: extreme violence. Darren Aronofsky’s new film is a two-hour practical joke on the audience. Pay…
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