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The Bull & Bear - McGill's Premier Student-Run Magazine McGill's Premier Student-Run Magazine
  • News
    • Racism, Accountability, and Freedom of Speech at the Center of Calls for Change in the SPVM 
      Racism, Accountability, and Freedom of Speech at the Center of Calls for Change in the SPVM 
    • AI Deepfakes of a Montreal Doctor Causing Public Concern
      AI Deepfakes of a Montreal Doctor Causing Public Concern
    • Three Years Later, Fino Takes the Lettuce Crown
      Three Years Later, Fino Takes the Lettuce Crown
  • Arts & Culture
    • From Subscribers to Owners: Understanding the Revived Desire For the Physical Ownership of Goods From A Sociological Perspective
      From Subscribers to Owners: Understanding the Revived Desire For the Physical Ownership of Goods From A Sociological Perspective
    • And Bridgerton Strikes Again: What Hyacinth’s Recital Dance Reveals About Our (Troubled) Love of Historical Inaccuracy 
      And Bridgerton Strikes Again: What Hyacinth’s Recital Dance Reveals About Our (Troubled) Love of Historical Inaccuracy 
    • Finding “Home” in McGill’s Growing Greek Life
      Finding “Home” in McGill’s Growing Greek Life
  • Business & Economy
    • The Economy of Foreign Aid
      The Economy of Foreign Aid
    • How EV Mandates Cornered the Western Automotive Industry
      How EV Mandates Cornered the Western Automotive Industry
    • Paving a Sustainable Path: How Two Students Created Desautels’ Social Business Program
      Paving a Sustainable Path: How Two Students Created Desautels’ Social Business Program
  • Opinion
    • What’s So Funny About War?
      What’s So Funny About War?
    • “I’ve been married to one determinist and one mind-body dualist”– a feminist interpretation of the question of free will
      “I’ve been married to one determinist and one mind-body dualist”– a feminist interpretation of the question of free will
    • The Colonial Legacy of Cabot Square
      The Colonial Legacy of Cabot Square
    • Podcast: The Varsity Voice
    • Podcast: Office Hours
    • Satire
    • Letters

Stefan Macleod

Arts & Culture

Colin Spratt’s ‘Plastic Soul Studios’

By Stefan Macleod

Photos by Ameer Alba Formerly a McGill student specializing in art history, Colin Spratt dropped out in May 2016 to…

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Arts & Culture

Protest Music Isn’t Making a Comeback: It Never Left In the First Place

By Stefan Macleod

Think of the different reasons there are to get excited about new music. A beloved artist could be returning from…

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Arts, Arts & Culture

Setting the Moshing Mood

By Stefan Macleod

Each concert has its own standards for audience behaviour. If you go to a Death Grips show, you just have to…

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Arts & Culture

Albums of 2016: The Year in Review

By Stefan Macleod

2016 may be remembered as the year that a number of great artists passed away, but it was not without some…

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Arts & Culture

Music in Context

By Stefan Macleod

What standards do we expect from music journalism today? Professionals who devote their careers to the discussion of music have…

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Arts & Culture

Alexia Avina and the Magic of Quiet Concerts

By Stefan Macleod

It’s always exciting when there’s a noticeable difference between what you hear on a musical recording and what you experience…

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Arts

Crying in the Club with Venus

By Stefan Macleod

The Bull and Bear was lucky to sit in on the rehearsal session of Venus, a Montreal-based Dance/Pop outfit (self-styled…

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Arts

22, A Million – Album Review

By Stefan Macleod

Bon Iver started off as Justin Vernon’s trip to an isolated Vermont cabin in 2006, where he recorded a series…

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Arts, Arts & Culture

A Moon Shaped Pool – Album Review

By Stefan Macleod

  High expectations can sabotage your enjoyment of a perfectly good album. Radiohead’s 2011 album The King of Limbs (TKOL)…

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Arts & Culture

Review – The Life of Pablo

By Stefan Macleod

By Stefan Macleod Kanye West — The Life of Pablo (Def Jam/G.O.O.D. Music) Leading up to the release of his…

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