Unruly Puppets and Grieving Churchgoers: A Review of ‘Hand to God’
Hand to God redefines the classic notion of a puppet show with a darkly comedic twist. This unique comedy with…
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Christmas in Montreal: Where to Go and What to See
Christmas: the most magical time of the year, filled with toy-obsessed children, decorations covering every storefront, and a warm feeling…
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Disenchanted: How Anora Loses Anora
Sean Baker’s 2024 Palme d’Or-winner, Anora, is as hollow and reductive as it is raw and radiant, setting its standard…
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Untangling the Knots of Reproductive Tragedy: A Review of ‘Yerma’ and an Interview with Director Ruby Isaacs
HER: “It never hurt you like it hurt me” — Yerma, Simon Stone Two halves of a millennial couple, a…
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What is Happening to the Pop Industry?
Many pop artists struggle with their mental health after they’ve already made a dent in the music industry, but why…
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The “Symphony of Horror” Misses a Beat: A Review of Nosferatu X Radiohead at Cinema du Parc
Even when it was ‘silent,’ cinema has never been quiet. From its earliest years, screenings were accompanied by the live…
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Style Over Substance: How the Horror Hit of the Year Butchers its Own Message
Demi Moore plays her own worst enemy in the recent body horror flick that aptly has audiences squirming beneath their…
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From Fraud to Fame: How Anna Delvey Danced Her Way Back into the Spotlight
On September 17th, 4.97 million viewers tuned in to watch Dancing With The Stars (DWTS) kick-start its 33rd season. This…
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Of Gods, Dogs and Man: Unpacking the Metaphor of the Dog in Mitski’s “I’m Your Man”
Amidst the multitude of metaphors, symbols, and allegories found in the songs of today, a particularly poignant one has arisen:…
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Vulnerability and Versatility: Arlo Parks’ My Soft Machine Tour
British award-winning artist Arlo Parks recently performed in Montreal at the Beanfield Theatre as part of the North American leg…
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