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The Bull & Bear - McGill's student-run news magazine McGill's student-run news magazine
  • News
    • The Quebec Healthcare Crisis: A Discussion With an Oncologist
      The Quebec Healthcare Crisis: A Discussion With an Oncologist
    • SSMU Legislative Council Ratifies Report on Possible Nutrition Accessibility Service and Discusses Mental Health on Campus
      SSMU Legislative Council Ratifies Report on Possible Nutrition Accessibility Service and Discusses Mental Health on Campus
    • Let’s Eat McGill: Student Organization Tackles Food Insecurity on Campus
      Let’s Eat McGill: Student Organization Tackles Food Insecurity on Campus
  • Arts & Culture
    • Sitcoms and Social Commentary: Is Political Correctness Killing Comedy?
      Sitcoms and Social Commentary: Is Political Correctness Killing Comedy?
    • AUTS’ <em>Hair! </em>is a Vibrant Throwback to the Sixties
      AUTS’ Hair! is a Vibrant Throwback to the Sixties
    • <strong>A Return to the Cinematic Experience through Damien Chezelle’s <em>Babylon</em></strong>
      A Return to the Cinematic Experience through Damien Chezelle’s Babylon
  • Opinion
    • In “Spare”, Harry is a Prophet Without Honor 
      In “Spare”, Harry is a Prophet Without Honor 
    • Beyoncé, Dubai, and the Queer Community: Hollywood Should Feel Uncomfortable
      Beyoncé, Dubai, and the Queer Community: Hollywood Should Feel Uncomfortable
    • The Importance of Unveiling the Hidden Black History of Canada
      The Importance of Unveiling the Hidden Black History of Canada
  • Business & Technology
    • Todd Boehly’s Plan for Chelsea
      Todd Boehly’s Plan for Chelsea
    • Dare to Venture: Fostering the Entrepreneurial Spirit at McGill
      Dare to Venture: Fostering the Entrepreneurial Spirit at McGill
    • How McGill Alumnus Peyush Bansal Gave India a Vision
      How McGill Alumnus Peyush Bansal Gave India a Vision
  • Sports
    • The Rise of Union Berlin
      The Rise of Union Berlin
    • Todd Boehly’s Plan for Chelsea
      Todd Boehly’s Plan for Chelsea
    • The Tragic Over-Commercialisation of Mount Everest
      The Tragic Over-Commercialisation of Mount Everest
  • Media

Hannah Wallace

Arts & Culture, Literature, Virtual Events

We Should All Read Up On Queer History Month Beyond 2SLGBTQIA+ Fiction

By Hannah Wallace

This October is Queer History Month, which is the perfect opportunity to improve your knowledge about queer issues. Queer History…

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Arts & Culture, Literature

With Don’t Stand Too Close To Me, Eric Walters Makes Me Wonder, How Soon is Too Soon For Pandemic Fiction?

By Hannah Wallace

While fiction often depicts an idealized version of reality, there is also an expectation that books taking place within the…

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Arts, Arts & Culture

Revisiting ‘Station Eleven’ As Art Imitates Life

By Hannah Wallace

As news of Covid-19 heightened over the past couple of weeks, I couldn’t help but be reminded of a book…

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Arts, Arts & Culture, Commentary

Disney’s Double Standard

By Hannah Wallace

Last month, Disney+ announced that the Love, Simon TV show that had been in the works for nearly a year…

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Arts, Arts & Culture

Taylor Swift’s ‘Miss Americana’: A Layered Look Into Her Career and Life

By Hannah Wallace

For as long as I can remember, I have been a fan of Taylor Swift. She was the first musician…

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Opinion

Why I Am No Longer a Fan of J.K. Rowling

By Hannah Wallace

Content Warning: This article addresses transphobia, racism, and homophobia. “Dress however you please. Call yourself whatever you like. Sleep with…

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Arts, Arts & Culture, Commentary

The Importance of an Accessible ‘Sesame Street’

By Hannah Wallace

Growing up, Sesame Street was an integral part of my childhood. I had an Elmo doll that I carried with…

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Arts, Arts & Culture, Commentary

How Lilly Singh is Breaking Down the Barriers of Late Night Television

By Hannah Wallace

Six months ago, if you were to turn your TV to NBC at 10:30 p.m., you would’ve seen The Tonight…

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Arts & Culture, Commentary

Welcome! Everything is Final: On The Last Season of ‘The Good Place’

By Hannah Wallace

“You, Eleanor Shellstrop, are dead. Your life on Earth has ended, and you are now in the next phase of…

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