American Vandal and the Power of True Crime
There’s a compelling case to be made that Silicon Valley perfected the dick joke in its first season finale. It…
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The Pop Synth World of Oh Wonder
London based twosome Oh Wonder gained international fame due to their unorthodox approach to releasing their debut album. Starting in…
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Chef’s Table: A Recipe for Success
In February 2013, Netflix’s first original series officially launched on the worldwide streaming platform and kick started an unrestrained race…
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McGill’s Own Soft Girl
Karys Peterson-Katz is a poet, an artist, and a McGill student in U2 honours cognitive science. She recently self-published a…
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mother! (2/5) Goes Big and Goes Home
Spoilers follow. Trigger warning: extreme violence. Darren Aronofsky’s new film is a two-hour practical joke on the audience. Pay…
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Setting the Moshing Mood
Each concert has its own standards for audience behaviour. If you go to a Death Grips show, you just have to…
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Clowning Around: Players’ Theatre’s Season Opener is All About the Laughs
The 39 Steps is the most bizarre, farcical, and consequently refreshing show to be put on at McGill of late….
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Crying in the Club with Venus
The Bull and Bear was lucky to sit in on the rehearsal session of Venus, a Montreal-based Dance/Pop outfit (self-styled…
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22, A Million – Album Review
Bon Iver started off as Justin Vernon’s trip to an isolated Vermont cabin in 2006, where he recorded a series…
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A Moon Shaped Pool – Album Review
High expectations can sabotage your enjoyment of a perfectly good album. Radiohead’s 2011 album The King of Limbs (TKOL)…
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