A Disaster Artist, But an Artist Nonetheless
I never understood the cult following of Tommy Wiseau’s The Room. It is “the Citizen Kane of bad movies,” from…
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Secondhand Survivors: Montreal’s Used Bookstores
“It is the most friendly vocation in the world,” he announced. “Why?” asked Jocelyn… “A bookseller,” said Grandfather, “is the…
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Call Me by Your Name (5/5) is the Best Film of the Year
Almost no joy is greater for a film fan than seeing an artist do the great work you always believed…
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From Atoms to Bits (And Back Again)
Nostalgia has and always will be a weird thing to analyze. Why is it that we cling to certain objects…
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Algorithms and the Curation of Taste
The curation of taste is not new in arts and culture. Taste, almost by definition, extends past the individual and…
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The Millennial Melodrama of Spider-Man
If you’re currently college-aged, you were five or six when the first Spider-Man film came out, seven or eight when…
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The Artists are Creators
Coverage of The Sommet du Cinéma D’animation 2017 The Sommet du Cinéma D’animation, held at the Cinémathèque Québécoise last week,…
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Freudian: Daniel Caesar’s Sold Out Tour Visits Montreal
Three months after selling out the Théâtre Corona, Daniel Caesar took the stage for the Montreal stop of his Freudian…
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Get Out of the Ghetto with Montreal Noir
Disclaimer: Akashic Books generously provided The Bull & Bear with a review copy free of charge. We were not obligated…
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The Cradle Will Rock (You)
The McGill Department of English, Drama and Theatre proudly presents The Cradle Will Rock, written by Marc Blitzstein, and directed…
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