Come From Away: The Quintessence of Canadian Theatre
In the immediate aftermath of the September 11 Attacks, the United States’ Federal Aviation Agency ordered all aircraft out of…
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Planet Earth II Brings Back BBC Earth’s Beloved Nature Series
My parents aren’t big fans of the Disney Channel or Cartoon Network—those channels have ads about cereal that play every…
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Albums of 2016: The Year in Review
2016 may be remembered as the year that a number of great artists passed away, but it was not without some…
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Disappointment Actually
Richard Curtis’ Love Actually (2003) is a well-loved romance-comedy that features an ensemble cast of British stars and follows various…
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Campus Street Style: Fall
The McGill campus is a patchwork of well-dressed students. As an admirer of the unparalleled style on our campus, I…
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Humanities Under Attack
Over the past few years, McGill students have become acquainted with the harsh reality of budget cuts. The Marois government…
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A Brief Introduction to the Wide World of Podcasts
Tucked away on your iPhone is a shaded purple app called “Podcasts.” It’s likely that you’ve never opened this app—or…
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The Handmaiden – A Review
Park Chan-Wook, the illustrious Korean director of films such as Old Boy, Stoker, and Thirst, takes on the role of…
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Music in Context
What standards do we expect from music journalism today? Professionals who devote their careers to the discussion of music have…
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Energy and Colour: The Rover Entertains with Appealing Visuals and Fantastic Vitality
The McGill English Department’s latest production, The Rover, a classic Restoration comedy, brims with wit and physicality. Written by one…
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