Ethio-Jazz: An Essential Playlist
Ethiopian jazz music is quickly becoming a standout favourite amongst music lovers. From its inception in the 1950s, the genre…
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Ethel Cain’s “Perverts” and the Sanctity of the Profane
Ethel Cain does not return so much as she resurrects. In her sophomore album Perverts, Cain presents a reckoning—a blood-warm,…
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Bob Dylan is Larger than Life in “A Complete Unknown”
Who is Bob Dylan? Not who you want him to be. This is the message of A Complete Unknown, the…
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MUSCO: Fostering a Unified Music Scene
On Monday, February 3rd 2025, the Musicians Collective of McGill hosted their second Open Mic Night at Bar Milton-Parc. With…
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Phone Rings, Door Chimes, In Comes McGill’s Arts Undergraduate Theatre Society’s Company!
Stephen Sondheim’s Company first premiered in 1970 and has been captivating audiences across the world ever since, and Director Anna…
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Live And In Person: Finding Community Through Montreal Techno
It’s a Wednesday at Redroom and the music still shocks me. It’s just that awesome. I can’t help but think…
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What is Happening to the Pop Industry?
Many pop artists struggle with their mental health after they’ve already made a dent in the music industry, but why…
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The “Symphony of Horror” Misses a Beat: A Review of Nosferatu X Radiohead at Cinema du Parc
Even when it was ‘silent,’ cinema has never been quiet. From its earliest years, screenings were accompanied by the live…
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Of Gods, Dogs and Man: Unpacking the Metaphor of the Dog in Mitski’s “I’m Your Man”
Amidst the multitude of metaphors, symbols, and allegories found in the songs of today, a particularly poignant one has arisen:…
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Vulnerability and Versatility: Arlo Parks’ My Soft Machine Tour
British award-winning artist Arlo Parks recently performed in Montreal at the Beanfield Theatre as part of the North American leg…
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