A Disaster Artist, But an Artist Nonetheless
I never understood the cult following of Tommy Wiseau’s The Room. It is “the Citizen Kane of bad movies,” from…
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Call Me by Your Name (5/5) is the Best Film of the Year
Almost no joy is greater for a film fan than seeing an artist do the great work you always believed…
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From Atoms to Bits (And Back Again)
Nostalgia has and always will be a weird thing to analyze. Why is it that we cling to certain objects…
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Algorithms and the Curation of Taste
The curation of taste is not new in arts and culture. Taste, almost by definition, extends past the individual and…
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The Moral Deficit in Corporate America
Content warning: sexual assault, harassment Leading American corporations are perpetually subject to the scrutiny of the public eye. When companies receive…
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Stranger Things 2 Lives up to the Hype
Ever dreamt of diving back into the 80s, that oh-so endearing period, where everyone had weird haircuts and pop music…
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American Vandal and the Power of True Crime
There’s a compelling case to be made that Silicon Valley perfected the dick joke in its first season finale. It…
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Chef’s Table: A Recipe for Success
In February 2013, Netflix’s first original series officially launched on the worldwide streaming platform and kick started an unrestrained race…
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The Best Laid Cards: Review of the Fourth Season of House of Cards
By Max Segal Addiction all look the same: the dirty spoon, the bloodshot eyes, the emptiness after the binge. Hi,…
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